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Hamish Lane 22 Nov 2024
Protected: HYBE Hurt: 2024 Has Been a Rough Year for the K-pop Powerhouse
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Features by Lars Brandle 26 Jul 2022
As Premiums Soar, Music Venues Are Heading to an Insurance Cliff
Sponsored Content by Sam Bowmer 15 Jul 2022
Vivid Director Gill Minervini On Glowing Up the Festival’s Creativity for 2023
Features by Staff Writer 6 Jul 2022
Songtradr’s Paul Wiltshire Excited For Growth, Despite Challenges (EXCLUSIVE)
Features by Jake Challenor 21 Jun 2022
Are Majors Still Double-Dipping Overseas Digital Royalties? (Op-Ed)
Features by Lars Brandle 11 May 2022
How The Ten Tenors Navigated the Pandemic, Took the Hits and Returned to International Touring
News by Lars Brandle 20 Apr 2022
Jaddan Comerford Talks Side Stage Ventures: ‘This Is a Big Part of The Next Chapter In My Career’
Features by Lars Brandle 19 Apr 2022
Blueprint for Bluesfest 2022: Peter Noble Talks Challenges, Future Plans
Features by Lars Brandle 23 Mar 2022
Matt Gudinski, Dion Brant and Adam Wilkes talk Frontier’s future: Exclusive
Features by Vivienne Kelly 16 Mar 2022
Are super-short songs about to take off on Spotify?
Features by Vivienne Kelly 15 Mar 2022
7 music industry superstars share their advice for women who are just getting started
Features by Lars Brandle 14 Mar 2022
Sarah Donelly talks Mushroom Management: ‘We’re looking at the entertainment industry as a whole’
Features by Vivienne Kelly 9 Mar 2022
How will music stations fare in tomorrow’s radio ratings?

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