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Conor Lochrie 18 Nov 2022
Golden Robot Celebrates Golden Year With Raft of New Signings
As 2022 nears its end, it feels like a particularly fraught period in the music industry, one marked by an unjust imbalance in the relationship between artists and managers, is also coming to a close. This year has seen more artists than ever – partly influenced by the impact of the pandemic – postpone or […]
Features by Lars Brandle 11 Oct 2022
Flexibility, Friends, and (More) Fun: Inaugural Ticketing Report Explores ‘State of Play’ for Live Entertainment
Opinion by Staff Writer 5 Oct 2022
Music Industry Review: What Comes Next?
Opinion by Staff Writer 23 Sep 2022
Bigsound 2022: Keeping a Beat of the Australian Music Economy [Op-Ed]
Features by Poppy Reid 21 Sep 2022
Q&A: Milly Petriella Details New Role as Milk and Honey’s Local Managing Director
Features by Poppy Reid 16 Sep 2022
6 Things Men Can Do Now According to Live Nation Women’s Ali Harnell
Opinion by Guest Contributor 13 Sep 2022
How NFTs Can Help Artists Reclaim Their Independence [Op-Ed]
Features by Christie Eliezer 12 Sep 2022
7 Takeaways From the Australian Festival Industry Conference
Features by Lars Brandle 7 Sep 2022
Tenacity, Timing and Tight: Andrew Stone Talks Teenage Dads
Sponsored Content by Sam Bowmer 6 Sep 2022
After Breaking Australia, Spacey Jane Have the World in Their Sights
Opinion by Sosefina Fuamoli 25 Aug 2022
How ‘The Music Writer’s Lab’ Seeks to Nourish, Uplift and Fill a Void in Media (Op-Ed)
Sponsored Content by Sam Bowmer 19 Aug 2022
Making Festivals Inclusive & Accessible
Opinion by Staff Writer 19 Aug 2022
The Experience Economy: What’s Going On and How Do We Fix It?

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