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Opinion

Opinion by Jake Challenor 3 Aug 2022
Neighbouring Rights: It’s Time to Bridge the ‘Broken’ UK-Australia Performer Gap
Opinion by Luke Girgis 19 Jul 2022
Vanessa Picken is What the Australian Music Industry Needs
Opinion by Vivienne Kelly 7 Jul 2022
Hey, ‘Australian Idol’ – it’s a different world than when you left. It’s time to get with the program
Opinion by Lars Brandle 6 Jul 2022
After Five Years, The Industry Observer Waves Goodbye
Opinion by Poppy Reid 5 Jul 2022
A Note from The Industry Observer
Opinion by Jake Challenor 21 Jun 2022
Are Majors Still Double-Dipping Overseas Digital Royalties? (Op-Ed)
Opinion by Lars Brandle 8 Jun 2022
Vangelis, Andy Fletcher and Dave Smith Used Synths to Terraform the Music Landscape (Opinion)
Opinion by Guest Contributor 26 May 2022
Halsey’s Record Label Won’t Release a New Song Until it Goes Viral on TikTok. Is This The Future of The Music Industry?
Opinion by Poppy Reid 25 May 2022
‘Learn to Say No’: Lexy Dobbin Reflects on Her First Year in Business (Opinion)
Opinion by Luke Girgis 9 May 2022
Why Hasn’t Sony Music Australia Hired a New CEO Yet? (Opinion)
Opinion by Jake Challenor 4 May 2022
Diversity and Inclusion in the Music Industry: A Reflection on Pop Culture
Opinion by Lars Brandle 11 Apr 2022
Ken West Was the Builder of Dreams, and He Carried the Weight of a Planet-Sized Event (Op-Ed)

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