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Opinion

Opinion by Staff Writer 3 Nov 2022
Fred Again.. Gets It: Marketing an Artist in 2022
Opinion by Staff Writer 5 Oct 2022
Music Industry Review: What Comes Next?
Opinion by Staff Writer 23 Sep 2022
Bigsound 2022: Keeping a Beat of the Australian Music Economy [Op-Ed]
Opinion by Guest Contributor 13 Sep 2022
How NFTs Can Help Artists Reclaim Their Independence [Op-Ed]
Opinion by Sosefina Fuamoli 25 Aug 2022
How ‘The Music Writer’s Lab’ Seeks to Nourish, Uplift and Fill a Void in Media (Op-Ed)
Opinion by Staff Writer 19 Aug 2022
The Experience Economy: What’s Going On and How Do We Fix It?
Opinion by Staff Writer 17 Aug 2022
Delivering Trust in Ticketing (Op-Ed)
Opinion by Staff Writer 15 Aug 2022
The Unintended Victims of a Rock ‘N’ Roll Culture (Op-Ed)
Opinion by Jake Challenor 3 Aug 2022
Neighbouring Rights: It’s Time to Bridge the ‘Broken’ UK-Australia Performer Gap
Opinion by Luke Girgis 19 Jul 2022
Vanessa Picken is What the Australian Music Industry Needs
Opinion by Vivienne Kelly 7 Jul 2022
Hey, ‘Australian Idol’ – it’s a different world than when you left. It’s time to get with the program
Opinion by Lars Brandle 6 Jul 2022
After Five Years, The Industry Observer Waves Goodbye

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