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Opinion
Opinion
by
Vivienne Kelly
7 Jul 2022
Hey, ‘Australian Idol’ – it’s a different world than when you left. It’s time to get with the program
Opinion
by
Lars Brandle
6 Jul 2022
After Five Years, The Industry Observer Waves Goodbye
Opinion
by
Poppy Reid
5 Jul 2022
A Note from The Industry Observer
Opinion
by
Jake Challenor
21 Jun 2022
Are Majors Still Double-Dipping Overseas Digital Royalties? (Op-Ed)
Opinion
by
Lars Brandle
8 Jun 2022
Vangelis, Andy Fletcher and Dave Smith Used Synths to Terraform the Music Landscape (Opinion)
Opinion
by
Guest Contributor
26 May 2022
Halsey’s Record Label Won’t Release a New Song Until it Goes Viral on TikTok. Is This The Future of The Music Industry?
Opinion
by
Poppy Reid
25 May 2022
‘Learn to Say No’: Lexy Dobbin Reflects on Her First Year in Business (Opinion)
Opinion
by
Luke Girgis
9 May 2022
Why Hasn’t Sony Music Australia Hired a New CEO Yet? (Opinion)
Opinion
by
Jake Challenor
4 May 2022
Diversity and Inclusion in the Music Industry: A Reflection on Pop Culture
Opinion
by
Lars Brandle
11 Apr 2022
Ken West Was the Builder of Dreams, and He Carried the Weight of a Planet-Sized Event (Op-Ed)
Opinion
by
Luke Girgis
1 Apr 2022
The Anxieties of an Artist Manager
Opinion
by
Lars Brandle
28 Mar 2022
Taylor Hawkins’ death is a sharp reminder of our own mortality, and to be good to yourself (Op-Ed)
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