Sydney Festival Taps Kris Nelson as Festival Director

Kris Nelson is the new festival director for Sydney Festival.

Nelson will take the reins for a three-year stint from 2026, leading the festival into its milestone 50th edition next year.

Announced Tuesday, September 24th, Nelson joins the Sydney Festival following six-and-a-half year run as CEO and artistic director at the London International Festival of Theatre (LIFT).

His name is called following an extensive global search, during which more than 100 candidates applied for the role.

After more than a decade living and working in the U.K. and Ireland, the Saskatoon, Canada native will relocate to Australia later this year.

“We are delighted to announce Kris Nelson as the new festival director of Sydney Festival,” comments Sydney Festival chair Kate Dundas.

“Kris’ impressive leadership at LIFT, alongside his vast international experience, makes him an exceptional fit for Sydney Festival. His innovative approach to programming, commitment to diverse voices, and deep understanding of both artists and audiences will ensure that Sydney Festival continues to thrive as a dynamic and inspiring cultural event.”

Adds Dundas, “we look forward to the bold and exciting vision Kris will bring as we embark on this next chapter.”

Nelson will succeed current Sydney festival director Olivia Ansell, who will unveil the 2025 program – her fourth and final in the role – on Wednesday, October 30th.

The Sydney Festival 2025 program will run January 4-26, and will feature the previously-announced world premiere of “Siegfried & Roy: The Unauthorised Opera,” a one-off performance from Rufus Wainwright at Sydney Opera House; and U.S. singer-songwriter Jalen Ngonda’s debut Sydney shows.

Nelson will present his first program in January 2026.

“Sydney is an exciting world city – vibrant, sophisticated and multicultural,” the incoming festival director comments.

“I can’t wait to make it my home and lead the team to create future-facing festivals that shape the times and resonate with audiences in every corner of the city.”