Spotify unveils original music-focused video series
Spotify has just entered the video streaming sector in a big way. Today it announced it’s creating 12 original series with figures like actor Tim Robbins and Def Jam Records co-founder Russell Simmons.
Today’s announcement comes almost a year after Spotify added video content from the BBC and Comedy Central last March and just four months after its launch of video features in January.
The expansion of its video offerings will be made available to free and paid Spotify users in the US, UK, Germany and its native Sweden on both iOS and Android devices. It’s unclear when we can expect an Australian roll-out of the video series.
Tom Calderone, Spotify’s content partnerships chief, said in an interview with Bloomberg: “Music will always be most important, but our audience likes us and wants more from us. We have to figure out a second act, and I think it will come out of video. The idea is to make sure users know they can come here for something other than playlists.”
Calderone joined Spotify in March after a 17-year stint at Viacom. Phase One of Calderone’s programming strategy is focused on music. The original shows include the All Def Digital produced Rush Hour, where two hip hop artists remix one of their tracks then perform it for a crowd of fans; Landmark, whichfocuses on one important moment in music history – The Beach Boys and Metallica are the first cabs off the rank.
Spotify will also debut the Tim Robbins-presented mockumentary series Ultimate/Ultimatewhich hopes to create EDM stars, and the Gunpowder & Sky-produced Drawn & Recorded where Oscar-winning producerT-Bone Burnett narrates a piece of music history, told through animated visuals. One episode recalls Elvis Presley’s visit to the Washington ghetto in full costume, and another recreates the story of blues artist Blind Willie Johnson.
The move helps Spotify compete with video streaming giant YouTube, which launched its subscription service and original content platform YouTube Red a year ago.
According to Bloomberg, Phase Two of the strategy will target Spotify’s younger listeners for a comedy and animation series.
Spotify was valued at US$8.5 billion (A$11 billion) in June 2015. In its last financial report covering 2014 it made $1.3 billion ($1.67 billion) revenue, up 45% from 2013. But with high overheads like 70% going to recording and publishing licensing, its net losses were $197 million ($255.7 million).
See below for the full list of concepts in development for Summer/Fall 2016:
Rush Hour – Two hip-hop artists (one legend, one young buck) are picked up in a van during the height of LA rush hour. As they drive to an undisclosed location they must come up with a remix or mashup of one of their well-known tracks. Once done, they arrive at the downtown LA parking lot stage of Russell Simmon’s new company All-Def Digital, where they perform their new collaboration (as well as other songs) before a crowd of raucous super fans.
Ultimate/Ultimate – From Academy Award® winner Tim Robbins and executive producer/director Jack Robbins comes Ultimate/Ultimate — a comedic, mockumentary series following several passionate (but modestly talented) people competing in a competition to become the next great EDM star. From pint-sized phenom DJ Sparkle, to frat brothers channeling their inner Daft Punk, the series explores the hilarious, endearing and absurd lengths people will go to to pursue their musical passions.