Falcona inks deal with disco/funk extraordinaire Luke Million: Exclusive
Sydney-based booking and management agency Falcona has inked a deal with Adelaide disco extraordinaire Luke Million.
Signed by Booking Agent Joel Siviour (Running Touch, ShockOne, Carmouflage Rose), Luke Million is also set to release his debut album soon, marking his first new music since last year’s Come Together EP.
Joel Siviour said of the signing:
“I am so thrilled to be welcoming Luke Million to the Falcona Agency today! Luke has put countless hours of work into perfecting his live-electronic show and I think the final product and the fan-base he’s built from it is a testament to his artistry. I’m so excited to be joining the Luke Million team and I can’t wait for everyone to hear his new music!”
Luke Millions, often hailed as Australia’s ‘synth Lord’, is in good company on the Falcona Agency roster, joining the likes of local acts Alison Wonderland, Hayden James, Running Touch, Joyride, MARIBELLE, and Kira Puru.
Stream the Come Together EP below:
Having clocked up over 2.3 million views on his breakout hit ‘Arnold’ a few years back, and having collaborated with beloved acts Last Dinosaurs, Sam Sparro and Thief on his last EP (which contributes to his more than 110,000 listens on Spotify each month) Luke Million’s upcoming debut record is hotly tipped for critical acclaim and accolades.
Luke Millions’ manager Josh Taylor from Cassette Entertainment said, “With Luke working towards his debut album we couldn’t be more exciting to be work with what we believe is one of the most dynamic agencies in the country.”
Luke Million is set to tour with Client Liaison’s new festival Expo Liaison this month, along with John Farnham, Alice Ivy, Rainbow Chan, KLP, Ken Davis, Kon, NO ZU and Total Giovanni.
Watch the trailer for Expo Liaison below:
LUKE MILLION feat. KLP | EXPO LIAISON 2018
Sat 18 Aug Expo Liaison, Flemington Racecourse, Melbourne
Sat 25 Aug Expo Liaison, Luna Park Big Top, Sydney
Sun 26 Aug Expo Liaison, Victoria Park, Brisbane
TICKETS
This article originally appeared on The Industry Observer, which is now part of The Music Network.