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![Your mentor doesn't need to know they're your mentor [OP-ED]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2F2021%252F01%252Fleslie-ron.jpg%3Fv%3D1778467960525&w=3840&q=75)
Your mentor doesn't need to know they're your mentor [OP-ED]
In a recent interview I did for The Muso Podcast, I was asked whether I had a mentor. I realised that I actually have a few; they just don't know it. In the past I have tried a few routes to engage a…
![Your mentor doesn't need to know they're your mentor [OP-ED]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2F2021%252F01%252Fleslie-ron.jpg%3Fv%3D1778467960525&w=3840&q=75)
Opinion
Your mentor doesn't need to know they're your mentor [OP-ED]
In a recent interview I did for The Muso Podcast, I was asked whether I had a mentor. I realised that I actually have a few; they just don't know it. In the past I have tried a few routes to engage a…

In defence of song covers
Emma Swift urges the music industry to evict the cynicism from their minds when it comes to song covers.

Opinion
In defence of song covers
Emma Swift urges the music industry to evict the cynicism from their minds when it comes to song covers.

What is in store for the music publishing industry in the years to come?
In 2021, the music publishing industry finds itself at a crossroads.

Opinion
What is in store for the music publishing industry in the years to come?
In 2021, the music publishing industry finds itself at a crossroads.

Livestreams and Quarantine Queens: Did 2020 change live music and album marketing for good?
Music marketing and performances were a different beast in 2020 - but what changes will carry on throughout the decade?

Opinion
Livestreams and Quarantine Queens: Did 2020 change live music and album marketing for good?
Music marketing and performances were a different beast in 2020 - but what changes will carry on throughout the decade?

Stream weavers: the musicians’ dilemma in Spotify’s pay-to-play plan
Spotify is offering to boost artists’ position on its playlists in return for paying them lower royalties. Can struggling musicians afford to say no?

Opinion
Stream weavers: the musicians’ dilemma in Spotify’s pay-to-play plan
Spotify is offering to boost artists’ position on its playlists in return for paying them lower royalties. Can struggling musicians afford to say no?
![How I gained 1 million streams in 60 hrs with no label or management [OP-ED]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2F2020%252F12%252Fplini-credit-Chad-Dao-768x432-1.jpg%3Fv%3D1778467960525&w=3840&q=75)
How I gained 1 million streams in 60 hrs with no label or management [OP-ED]
Disclaimer: For the sake of transparency, it’s worth mentioning that about half of those streams came from the two singles released in the weeks leading up to the album release date, but for the sake…
![How I gained 1 million streams in 60 hrs with no label or management [OP-ED]](/_next/image?url=https%3A%2F%2Fimages-r2-1.thebrag.com%2Ftmn%2Fuploads%2F2020%252F12%252Fplini-credit-Chad-Dao-768x432-1.jpg%3Fv%3D1778467960525&w=3840&q=75)
Opinion
How I gained 1 million streams in 60 hrs with no label or management [OP-ED]
Disclaimer: For the sake of transparency, it’s worth mentioning that about half of those streams came from the two singles released in the weeks leading up to the album release date, but for the sake…

An Australian major record label war is coming
After reading the headline "Jessica Mauboy leaves Sony Music to sign to Warner Music Australia", it raised instant alarm bells. A war is coming. This news comes off the back of Paul Harris leaving…

Opinion
An Australian major record label war is coming
After reading the headline "Jessica Mauboy leaves Sony Music to sign to Warner Music Australia", it raised instant alarm bells. A war is coming. This news comes off the back of Paul Harris leaving…

In a world where digital is king, I released an album on my own label and sold it as a physical-only product
At the beginning of the pandemic, like many musicians all over the world, I lost my job. One minute I was on a tour of the United States, with about 100 shows scheduled for the rest of the year, and…

Opinion
In a world where digital is king, I released an album on my own label and sold it as a physical-only product
At the beginning of the pandemic, like many musicians all over the world, I lost my job. One minute I was on a tour of the United States, with about 100 shows scheduled for the rest of the year, and…

Clubhouse, the best music industry conference I’ve ever attended
Over the weekend I was given an invite to the new social network Clubhouse (shoutout to Justin L. Hunte for the hook up). For those who aren’t familiar, Clubhouse is an audio app that's still in beta…

Opinion
Clubhouse, the best music industry conference I’ve ever attended
Over the weekend I was given an invite to the new social network Clubhouse (shoutout to Justin L. Hunte for the hook up). For those who aren’t familiar, Clubhouse is an audio app that's still in beta…

What we’ve learned from running an indie label through COVID
I’m an optimistic person but there’s no point in sugarcoating it, this has been an incredibly tough year for the arts. Back in February, we were preparing for one of our acts - Cousin Tony’s Brand…

Opinion
What we’ve learned from running an indie label through COVID
I’m an optimistic person but there’s no point in sugarcoating it, this has been an incredibly tough year for the arts. Back in February, we were preparing for one of our acts - Cousin Tony’s Brand…
Reporting from inside the Australian music business since '94.
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