Lars Brandle

"Australia is a key part of Glassnote’s global outlook," says Daniel Glass, founder of Glassnote Records, which partners with How Good.

Mardi Caught, Rhoda Roberts, Michael Hutchings and Beau Neilson are among the new appointments to the MusicNSW board.

Albums by Middle Kids, Tkay Maidza, and Emma Donovan are among the contenders for the annual Australian Music Prize.

The future of AI in music will likely revolve around assistive tools that enhance rather than replace human creativity, explains OverTune's Sigurdur Arnason.

As WAM secures a transformative chunk of funding, the trade body's executive director Livia Carre announces her resignation.

Ruel's forthcoming EP will be released in North America through Giant Music, the record label launched in 2022 under The Azoff Company banner.

Albums by six, separate solo female artists women are currently appearing in the U.S. top 10, the first time this has happened this decade.

The campaign for Teen Jesus and The Jean Teasers’ debut album "I Love You" will be dissected for a special case study at this year’s event.

Presented today, the Naoo app aims to make life on the road a little easier. Ben “Boo” Gumbleton of indie act Boo Seeka is road-testing it.

As CEO, Lizzie Young succeeds Ford Ennals, who took the reins at Commercial Radio & Audio a little over two years ago.

Untitled Group's Beyond The Valley is the only Australian event to make the cut. Check out DJ Mag's top 100 festivals list.

Rinaldi will take the reigns at the music publishers’ trade association with effect from July 1, when he succeeds Matthew O'Sullivan.