thatboykwame Returns to Like a Version Eight Years Later With 'Dance Monkey'
Thatboykwame has put his own personal stamp on Tones and I's 'Dance Monkey' for triple j's Like a Version.

Thatboykwame has put his own personal stamp on Tones and I's "Dance Monkey" for triple j's Like a Version.
Eight years after his first appearance in the Like a Version studio, the Ghanian-Australian artist returned with a fresh take on one of Australia's biggest global hits, reworking it into an insightful exploration of Black identity in modern Australia, per triple j.
Rather than replicating the infectious pop energy that helped propel the original song to international success, his version layers sharp lyricism and soulful production over themes of race, representation, and belonging, offering a perspective rarely heard in mainstream Australian music.
"I honestly, genuinely resonate with the lyrics," thatboykwame said. "Toni speaks from a place of feeling controlled, feeling used – I feel like that's something that I have been dealing with all my career as an artist.
"So to be able to draw a deeper parallel from a historic standpoint of just the way in which Black people have been dehumanised, controlled and expected to perform based on how we're seen was something that I was really drawn to."
The performance marked his welcome return to Like a Version, after first appearing on the segment in 2018 under the name Kwame, where he performed a memorable cover of Kendrick Lamar's "Alright".
Check out his cover of "Dance Monkey" below.


Reporting from inside the Australian music business since '94.
Thatboykwame paired his cover with a performance of his latest single, "LET ME BE!", continuing a prolific run of releases that has seen him further refine his blend of hip-hop, R&B, soul, and alternative sounds.
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Reporting from inside the Australian music business since '94.
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