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by
Velvet Winter
26 Oct 2018
How to make a grassroots festival survive & thrive – Part One: Against The Grain
Features
by
Poppy Reid
25 Oct 2018
That time Gnarls Barkley removed ‘Crazy’ from music stores
Features
by
Angus Dawson
25 Oct 2018
Music as a universal language & the importance of connection: A trip through Western Australia
Features
by
Velvet Winter
24 Oct 2018
From unknown to ARIA Award nominee: The many chapters of Odette
Features
by
Poppy Reid
23 Oct 2018
10 things we learnt from APRA AMCOS’ event for gaming composers
Features
by
Tara Johnston
23 Oct 2018
This song is still breathing: the many incarnations of ‘In My Mind’
Features
by
Lars Brandle
18 Oct 2018
Australian music industry files its submissions for federal inquiry: take a look
Features
by
Velvet Winter
18 Oct 2018
Breaking bands, booking festivals and why you should join The Collective
Features
by
Christie Eliezer
17 Oct 2018
APRA AMCOS breaks $400m revenue barrier as digital eclipses broadcast for first time
Features
by
Poppy Reid
16 Oct 2018
Disruptive technologies in today’s music business
Features
by
Zanda Wilson
16 Oct 2018
Jane Gazzo on Triple M’s Oztober: “We need to showcase Australian talent, we’ve got to fly the flag”
Features
by
Christie Eliezer
15 Oct 2018
Festival experience platform Festicket comes to Australia, “the market seems to have incredible potential”
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